Delays used to be one sound, analogue or digital and then one fixed delay time. The TimeBender does just what the name implies – bends time. Featuring 10 delay types including Analog, Digital, Moving Head Tape, Fixed Head Tape, Dynamic (ducking delays), Reverse and Time Warp, the TimeBender goes where no delay has gone before.

Further advancements include full-time tone control, modulation, multiplier, tap tempo and repeat ping-pong patterns on all delay types. For the first time you can get a Fixed Head Tape delay sound with tone rolled off, modulation and set to repeat in triplets.

The TimeBender goes beyond normal delays to create custom repeat rhythms or patterns on the fly by simply strumming the guitar. Up to 6 taps can be set to quickly create delays that would normally take a rack of effects and hours of programming. For instance; a 6 tap moving head tape delay can be created where the delay taps are not equally spaced but fall on beats set by the guitarist.

Topping off the TimeBender is the ability to add intelligent harmonies to the delays. Choose from over 100 different voicing’s including octaves, 5ths, 3rds, etc. When the repeats are turned up layers of singing angelic tones are created to form never heard effects.

The TimeBender offers more than a full rack of delay effects topped with intelligent harmony and the ability to quickly set the repeat rhythms – never has a delay so advanced been this easy to use and packed in a pedal. The TimeBender is the delay that all other will be judged by.

The DigiTech TimeBender is available from all good guitar retailers at an RRP of £299 inc VAT.

For more information please call Sound Technology on 01462 480000 or visit www.soundtech.co.uk.

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Jody Wisternoff’s influence and contribution to dance music cannot be overstated. Between breaking through to the DMC Hip Hop finals as a fresh faced 13 year old in 1986, and putting the finishing touches to his band’s fourth studio album in 2008 a lot has happened. His early 90’s act Sub Love were one of the largest draws on the UK Rave festival circuit and his hook up with Bristol dj Nick Warren in 1994 gave us the hugely successful Way Out West.

Within this expertly crafted collection of sounds and samples you will find over 740 wav samples, 275 Loops and over 300 ready to play patches for Kontakt, Halion, EXS, SFZ, NNXT and Ableton Samplers.

In detail Jodys Future House sample collection weighs in at an impressive 900+ Mb, and includes 118 Deep and Chunky Drumloops, 22 Breakbeats, 23 Club Beats, 73 Percussive Beats, 51 Low End Bass Loops, more than 100 inspirational Music Loops, 74 Bass Stabs, 140 Single Drum Sounds, 160+ Instrument Chords, 39 Special Fx sounds, and 47 Stab Hits.

Jody’s reason for doing this sample collection for Loopmasters was that he wanted to present to other producers a very usable collection of loops and samples that he hopes would be inspiring to anyone making contemporary house music and that they present as broad a scope of styles as he has been lucky enough to be involved with himself.

Multiple formats available all priced at £24-95

Find out more at the Loopmasters website.

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Eastwest’s Complete Composers Collection PLAY Edition is a compendium of the company’s high-quality PLAY-powered virtual instruments, brought together into one great value package.

The Complete Composers Collection features seven of the Eastwest’s most popular virtual instrument collections along with their 64-bit (with 32-bit compatibility) PLAY Sample engine for about 50% off the separate retail price.

Virtual instrument libraries featured in Complete Composers Collection PLAY Edition include:

Eastwest/Quantum Leap Symphonic Orchestra Gold PLAY Edition

Recorded in a 125 million dollar concert hall by Grammy-winning classical recording engineer Prof Keith O Johnson, this virtual instrument edition eclipses all others with the highest level of fidelity and realism.

Now with the PLAY sample engine, users have access to features such as an intelligent performance section – including portamento, repetition, and legato – round robin reset, state-of-the-art convolution reverb with pre-delay, and an intelligent release trail engine that follows note-on samples volume at all times.

Eastwest/Quantum Leap Symphonic Choirs PLAY Edition

The first virtual instrument to offer complete control over a choir’s words and sound. Symphonic Choirs is the first choir virtual instrument to include three simultaneous stereo mic setups (close, stage and hall), so users can mix any combination of mic positions to control ambience.

With Eastwest/Quantum Leap Symphonic Choirs PLAY Edition running off of PLAY, users will be able to experience perfect harmony between PLAY and the collection’s WordBuilder software. PLAY aids with the setup process of WordBuilder, making it easier for users to take full advantage of this feature.

Quantum Leap Goliath

The sequel to Colossus, Quantum Leap Goliath encompasses the entire Colossus collection plus 8 Gb of new content. Users now have more than 180 high-quality instruments and more than 600 patches including drums and percussion, guitars, basses, acoustic and electric pianos, keyboards and mallets, pop brass, orchestral instruments, choirs and vocals, ethnic instruments, new age ensembles, morphing atmospheres, synth basses, synth leads, and synth pads.

As part of the additional content, Goliath features the full collections of sounds from the EW/PMI Bösendorfer 290 Piano collection.

Quantum Leap RA PLAY Edition

One of the largest and most detailed collections of ethnic instruments from six areas of the world: Africa, Americas and Australia; Europe, Far East, Middle East and the Turkish Empire; and India. Every instrument and ensemble was sampled extensively so that the character of each instrument is preserved.

For the first time with Quantum Leap RA PLAY Edition, users will have more control over the sounds offered in the collection along with the ability to load even more instruments than ever before. These options allow for additional expression – a key element when working with ethnic instruments.

Quantum Leap Stormdrum 2

The sequel to Stormdrum. Packed with over 12 Gb of percussion, SD2 – The Next Generation draws from the secret collections of three world-class percussionists, offering some of the most amazing multi-sampled percussion imaginable.

For the maximum customisation without sound degradation, SD2 – The Next Generation delivers MIDI performances created with Roland V-Drums and Zendrum percussion controllers.

Eastwest/Quantum Leap Pianos Gold PLAY Edition

The most detailed collection of the world’s finest grand pianos. More than half a million dollars’ worth of pianos are included in this collection, all meticulously recorded by Eastwest/Quantum Leap producers Doug Rogers and Nick Phoenix.

These include a $225,000 Bechstein D-280 Concert Grand, the same kind of piano engineer/producer Ken Scott used to record Elton John, David Bowie, and Supertramp. Eastwest invited Scott to engineer the Bechstein’s close-miced recordings to provide users with a cutting, dynamic pop/rock piano sound, in addition to the variety of other piano sounds included in the collection.

Other pianos featured in the library include a Steinway D Concert Grand, a Bösendorfer 290 Concert Grand and a Yamaha C7. This new Gold Edition includes one mic position, and will run faster on slower computers than the full three-mic version.

Quantum Leap Voices of Passion

A virtual instrument of female vocalists from Wales, Syria, India, Bulgaria and America. Voices of Passion features five outstanding professional female artists singing vowels, words, morphing vowels, effects, phrases, calls, whispers and breath noises.

“The Complete Composers Collection PLAY Edition spans many musical genres and instrument sounds making it an affordable way for users to round out their sound collection,” says Eastwest Founder and Producer Doug Rogers. “With all virtual instruments in this bundle incorporating our PLAY sample engine, users will also have access to the highest in sonic quality and performance.”

The Eastwest/Quantum Leap Complete Composers Collection PLAY Edition retails for €1,195. For more information about Eastwest products, please visit the company website.

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Orange always seem to have one of the coolest and certainly most distinctive stands at any show, and Frankfurt Musikmesse 2009 is no exception. Nestled amongst the iconic valve stacks, we noticed brand new updates on the popular entry level Crush series of guitar and bass combos.

Full specifications were still TBC at the time of writing, but for now, here’s some up close and personal shots of some of the new Crush combos’ control panels (click to expand):

Crush 35LDX

Crush 20LDX

 Here are the bass amps:

The Crush series bass amps are more powerful than ever

Crush 50BXT

Crush 100BXT

For more information, visit www.orangeamps.com.

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Alesis has announced the AM3 – a USB stereo condenser microphone, which enables users to record stereo audio directly onto their computers. Perfect for portable stereo recording, musicians and other audio enthusiasts will find the AM3 convenient and easy to use.

The AM3 features a dual-capsule condenser microphone design that enables users to record detailed stereo audio. The microphone’s wide 30-20,000 Hz frequency response rivals that of far more expensive microphones.

Its analogue-to-digital conversion creates a studio-ready stereo signal at 16-bit, 44.1 or 48kHz resolution and sample rate. The body of the AM3 features a gain control for adjusting the input trim with no computer control required.

The AM3 makes computer connection simple, requiring nothing more than a standard USB port on a Mac or PC.

Because it has a stereo, analogue-to-digital conversion system built inside, the AM3 eliminates the need for a preamplifier, external analogue-to-digital converters, interfaces and timecode alignment between the two sides.

The AM3 comes with a free Alesis podcast-hosting subscription, enabling users to share their recordings with the world. The AM3 also comes with a carry case, mic clip and cable.

“The AM3 stereo microphone is an easy way to get great-sounding stereo sound into your computer,” said Jim Norman, Product Manager at Alesis.

The AM3 will be available from musical instrument and professional audio retailers in April 2009. For more information on Alesis audio products, please visit the company website.

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The Euro Series loudspeakers are a line of high-grade, portable, professional loudspeakers that specialise in high performance, light weight and high power handling in a compact enclosure.

The Peavey Euro Series marks the debut of a Peavey-engineered loudspeaker that utilizes a dual voice coil and neodymium magnet design. The two-way, full-range Euro 115 and Euro 112 enclosures utilize this new loudspeaker-in 15-inch and 12-inch formats, respectively-in conjunction with the Peavey RX22 titanium compression driver.

Patented asymmetrical Quadratic Throat Waveguide technology eliminates distortions commonly caused by drivers pushing high sound pressure levels to deliver pristine, precise sound reproduction.

The Peavey Euro 218 Sub achieves astounding performance, compact size and light weight. Featuring a pair of 18-inch neodymium-loaded loudspeakers arranged in a vented, isobaric chamber, the Euro 218 Sub produces massive low-end performance in a smaller enclosure than a typical 1×18 sub, and up to 3,000 watts peak power handling.

Housed in an ultra-light, nine-ply enclosure and protected by HammerHead coating and a full-length, 16-gauge powder-coated perforated metal grille, the Euro Series is designed for durability.

All Euro Series enclosures feature stand mounts, making it easy to mount the Euro 115 and Euro 112 on a Euro 218 Sub or other subwoofer. Side handles make the enclosures easily portable.

Features

Euro 115

• 15-inch Neo dual voice coil, high-performance woofer
• RX22 ferrofluid-cooled titanium compression driver
• 1,000 watts program and 2,000 watts peak power handling
• Frequency Response: 65 Hz to 18 kHz
• 98 dB SPL
• Patented Quadratic Throat Waveguide technology
• Asymmetrical horn directs the sound down to the audience
• Sound Guard^TM III tweeter protection
• Two Neutrik Speakon four-pin, full-range input jacks
• Trapezoidal ultra-light plywood enclosure
• Durable HammerHead polyurethane finish
• Built-in stand-mount adapter
• Ultra-compact design
• 27.38-inch H x 18.13-inch W x 17.5-inch D (15.13-inch W in rear)
• 45 lbs
• Made in USA

Euro 112

• 12-inch Neo dual voice coil, high-performance woofer
• RX22 ferrofluid-cooled titanium compression driver
• 1,000 watts program and 2,000 watts peak power handling
• Frequency Response: 79 Hz to 18 kHz
• 95 dB SPL
• Patented Quadratic Throat Waveguide technology
• Asymmetrical horn directs the sound down to the audience
• Monitor use with angled side/rear panel
• Sound Guard III tweeter protection
• Two Neutrik Speakon four-pin, full-range input jacks
• Trapezoidal ultra-light plywood enclosure
• Durable HammerHead polyurethane finish
• Built-in stand-mount adapter
• Ultra-compact design
• 23.88-inch H x 15.13-inch W x 16.25-inch D (7.88-inch W in rear)
• 39 lbs
• Made in USA

Euro 218 Sub

• Dual, Peavey-exclusive Pro 18-inch Neo woofers
• 1,500 watts program and 3,000 watts peak power handling
• Frequency Response: 43 Hz to 400 Hz
• 95 dB SPL
• Vented enclosure with isobaric chamber
• Neutrik Speakon input connectors
• Compact, lightweight design
• Built-in speaker pole mount
• Heavy-duty steel handles inset on both sides
• Durable HammerHead polyurethane finish
• Full-length steel grille
• 22.75-inch H x 27-inch W x 24.5-inch D
• 69 lbs.
• Made in USA

For more information on Peavey products, please visit the company website.

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This year marks the 30th year since the Trace Elliot amplifier brand was first launched in Essex, UK. To commemorate this great occasion, a special promotional video has been commissioned.

It was 1979 when the first Trace Elliot amplifiers became available and these quickly revolutionised the way the industry perceived bass amplification by setting new standards for bass players. Coincidentally it is also 20 years since this was repeated for acoustic players with the launch of Trace Acoustic in 1989.

With both ranges again generating much interest, these milestones are being celebrated with the imminent release of an entertaining and insightful video. This refers to the continuity of the origin of the brand’s design and also reveals some of the reasons that make these brands different.

The five and a half minute video was officially released on the first day of the Frankfurt Musikmesse 2009 (April 1), and will be freely available in several formats as well as on YouTube.com and mobile phones via Bluetooth.

As well as information on all current Trace Elliot and Trace Acoustic products, the video will also be available to view from the Trace Elliot website.

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The Alesis TransActive Solo is a complete, battery-powered PA system in a single, portable cabinet musicians can carry in one hand. It’s the most portable PA system the company produces.

The TransActive Solo has inputs for all kinds of instruments, a dock for iPod, a built-in amplifier and a two-way loudspeaker for complete sound reinforcement. Performers can play small gigs with just one speaker box thanks to the TransActive Solo’s built-in carry handle for easy transport to and from a show.

Musicians can connect their guitar, microphone and other instruments directly to the TransActive Solo’s input section. It supplies a combination XLR and 1/4-inch input for microphones, additional 1/4-inch inputs that support both guitars and line-level instruments, and RCA inputs for drum machines, samplers and other line-level audio devices.

With TransActive Solo’s built-in dock, performers can connect up their iPod and use it as a backing track or interlude-music source.

Users can take the TransActive Solo with them for remote gigs such as street performances or parties without a wall power source, thanks to the built-in rechargeable battery. The system can deliver up to 12 hours of cordless amplification without a charge, or run limitlessly on wall power.

The TransActive Solo has a built-in amplifier for high efficiency and all-in-one performance. Its large speaker delivers excellent low end and powerful, crisp highs.

“You’ll actually spend less time and energy carrying in and setting up,” said Jim Norman, Product Manager at Alesis. “The TransActive Solo is really perfect for solo performers who don’t need a complicated, heavy amplification system.”

The TransActive Solo will be available from musical instrument and professional audio retailers in the second half of 2009.

For more information on the TransActive Solo and other Alesis products, please visit the company website.

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Rane has introduced a new audio interface for Serato Scratch Live. The 24-bit Rane SL 3 is a successor to the popular SL 1 interface and promises premium build and sound quality for digital DJs.

Like the SL 1, the SL 3 is one tough piece of hardware, built with premium components. It also features galvanic isolation to prevent computer noise interfering with the audio path. The Rane SL 3 ships with a soft carry case and an international power supply for easy transfers between DJs.

“Our professional customers want a bigger sound from a smaller box with simpler connections, so that’s exactly what we’ve made,” says Rane’s Steve Macatee. “The SL 3 is about minimizing noise and maximizing audio performance.”

The SL 3 design concentrates on optimising sound quality and producing a rugged and compact solution.

The Rane SL 3 is an advanced, bus-powered, 24-bit USB 2.0 audio interface for Serato Scratch Live. Like all Rane products, the SL 3 is handcrafted in the USA under strict quality control to insure long-term reliability and performance.

At a time when most companies are cutting corners, the SL 3 is a premium product designed with the discerning performer in mind.

“If you play on quality sound systems, make your own music creations, like to remix live or use uncompressed audio, then your crowd will really appreciate the advantage the SL 3 gives you,” notes Serato’s Sam Gribben. “It’s the biggest way to DJ with Scratch Live yet, it’s an absolute monster of a box!”

The Rane SL 3 has a massive 104 dB dynamic range, allowing plenty of space to mix between vinyl, CDs and Scratch Live with headroom to spare.

The studio grade input preamps are the same as those found in the Rane TTM 57SL performance mixer. Each channel is individually switchable, allowing for a mix of turntables and CD players. The compact design eliminates the need for extra cables, making for a quick and easy set up.

Armed with an extra set of auxiliary channels, the SL 3 opens the doors to future expansion and creative configuration for DJs and electronic musicians.

The Rane SL 1 for Serato Scratch Live continues to be available as the industry standard for digital DJs. The advanced Rane SL 3 for Serato Scratch Live is shipping now.

For more information on Rane products, please visit their website. To learn more about Serato Scratch Live, check out the Serato website.

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Designed for the European market, the new limited edition Oak X takes the powerful Yamaha Oak Custom series and tailors it to meet the demands of the more aggressive drummer.

Oak Custom X drums are hand-crafted using 100 percent oak shells in Japan using Yamaha’s legendary Air Seal system. By using evenly distributed air pressure to diagonal seemed shells, this system produces a very strong and perfectly round shell with a great solid tone and maximum tuning range.

New sizing options for the Oak Custom X drums includes the deep 22 x 20-inch un-drilled bass drum, which produces a unique and earth-shattering low-end punch, while the shallow toms and non uniformed floor toms deliver awesome sharp attack and pure rich true.

To complete the set the new 14 x 7-inch Loud series snare drum is added providing a crisp and solid backbeat and a wide tuning range, with it’s offset lugs and matching colour this snare drum adds to the impressive look.

The Oak Custom X drums are available in two exclusive lacquered finishes. The White Sparkle and Black Sparkle finishes, with Dark Chrome hardware and a new badge design really set these drums apart from the standard Oak Custom range.

Thanks to the unique sound and style, the Yamaha Oak X will appeal to a broad range of drummers who take their passion to the extreme from aggressive metal and punk drummers to all urban styles.

Features

• 100 percent oak shell
• 20-inch deep bass drum
• Shallow size toms
• Exclusive White and Black Sparkle finishes
• Dark Chrome Hardware

For more information about the Oak X kit and other Yamaha drumming products, please visit the company website.

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